everlasting, everlasting flower (adj)

any of various plants of various genera of the family Compositae having flowers that can be dried without loss of form or color

ageless, aeonian, eonian, eternal, everlasting, perpetual, unending, unceasing (adj)

continuing forever or indefinitely

"the ageless themes of love and revenge"; "eternal truths"; "life everlasting"; "hell's perpetual fires"; "the unending bliss of heaven"

arrant(a), complete(a), consummate(a), double-dyed(a), everlasting(a), gross(a), perfect(a), pure(a), sodding(a), stark(a), staring(a), thoroughgoing(a), utter(a), unadulterated (adj)

without qualification; used informally as (often pejorative) intensifiers

"an arrant fool"; "a complete coward"; "a consummate fool"; "a double-dyed villain"; "gross negligence"; "a perfect idiot"; "pure folly"; "what a sodding mess"; "stark staring mad"; "a thoroughgoing villain"; "utter nonsense"; "the unadulterated truth"

everlasting (Noun)

An everlasting flower.

everlasting (Adjective)

Lasting or enduring forever; existing or continuing without end; immortal; eternal.

everlasting (Adjective)

Continuing indefinitely, or during a long period; perpetual; sometimes used, colloquially, as a strong intensive; as, "this everlasting nonsense".

everlasting (Adjective)

existing with infinite temporal duration (as opposed to existence outside of time)

Everlasting

"Everlasting" is BoA's 18th Japanese single and 4th Korean single. The leading track "Everlasting" is a ballad, and the B-side track, "Soundscape" is a mid-tempo song for Japanese version and "People say..." for the Korean version B-side track. This single also contains the first "classical version" of any BoA songs thus far, "Everlasting: Classical Ver.".

Everlasting

"This Will Be" is a song written by Chuck Jackson and Marvin Yancy, and performed by American singer Natalie Cole. Often appended with "(An Everlasting Love)" but not released as such, this was Natalie Cole's debut single released in April 1975 and one of her biggest hits, becoming a number-one R&B and number-six pop smash in the United States and also reaching the UK Top 40. Cole won a Grammy Award for Best Female R&B Vocal Performance, a category that had previously been dominated by Aretha Franklin. It would also help her win the Grammy Award for Best New Artist. Cole had been turned down by every label she approached, but finally gained the interest of Larkin Arnold, who at the time was the executive of Capitol Records, through demos produced by Jackson and Yancy. The two wrote the song at the end of sessions for Arnold, just as he and Cole were about to leave town.