top hat
top hat
English Definitions:
dress hat, high hat, opera hat, silk hat, stovepipe, top hat, topper, beaver (noun)
a man's hat with a tall crown; usually covered with silk or with beaver fur
top hat (Noun)
A man's formal hat, with a tall cylindrical crown (often of silk).
Top Hat
Top Hat is a 1935 screwball comedy musical film in which Fred Astaire plays an American dancer named Jerry Travers, who comes to London to star in a show produced by Horace Hardwick. He meets and attempts to impress Dale Tremont to win her affection. The film also features Eric Blore as Hardwick's valet Bates, Erik Rhodes as Alberto Beddini, a fashion designer and rival for Dale's affections, and Helen Broderick as Hardwick's long-suffering wife Madge. The film was written by Allan Scott and Dwight Taylor. It was directed by Mark Sandrich. The songs were written by Irving Berlin. "Top Hat, White Tie and Tails" and "Cheek to Cheek" have become American song classics. It has been nostalgically referenced — particularly its "Cheek to Cheek" segment — in many films, including The Purple Rose of Cairo and The Green Mile. Top Hat was the most successful picture of Astaire and Rogers' partnership, achieving second place in worldwide box-office receipts for 1935. While some dance critics maintain that Swing Time contained a finer set of dances, Top Hat remains, to this day, the partnership's best-known work.
Top hat
A top hat (also called a high hat, a cylinder hat, or, informally, a topper) is a tall, flat-crowned hat traditionally associated with formal wear in Western dress codes, meaning white tie, morning dress, or frock coat. Traditionally made of black silk or sometimes grey, the top hat emerged in Western fashion by the end of the 18th century. Although it declined by the time of the counterculture of the 1960s, it remains a formal fashion accessory. A collapsible variant of a top hat, developed in the 19th century, is known as an opera hat. Perhaps inspired by the Early Modern era capotain, higher crowned dark felt hats with wide brims emerged as a country leisurewear fashion along with the Age of Revolution around the 1770s. Around the 1780s, the justaucorps was replaced by the previously casual frocks and dress coats. At the same time, the tricorne and bicorne hats were replaced by what became known as the top hat. By the 1790s, the directoire style dress coat with top hat was widely introduced as citywear for the upper and middle classes in all urban areas of the Western world. The justaucorps was replaced in all but the most formal court affairs. Around the turn of the 19th century, although for a few decades beaver hats were popular, black silk became the standard, sometimes varied by grey ones. While the dress coats were replaced by the frock coat from the 1840s as conventional formal daywear, top hats continued to be worn with frock coats as well as with what became known as formal evening wear white tie. Towards the end of the 19th century, whereas the white tie with black dress coat remained fixed, frock coats were gradually replaced by morning dress, along with top hats. After World War I, the 1920s saw widespread introduction of semi-formal black tie and informal wear suits that were worn with less formal hats such as bowler hats, homburgs, boaters and fedoras respectively, in established society. After World War II, white tie, morning dress and frock coats along with their counterpart, the top hat, started to become confined to high society, politics and international diplomacy. The last United States presidential inaugurations with top hat was the inauguration of John F. Kennedy in 1961. Following the counterculture of the 1960s, its use declined further along with the disuse also of daily informal hats by men. Yet, along with traditional formal wear, the top hat continues to be applicable for the most formal occasions, including weddings and funerals, in addition to certain audiences, balls and horse racing events, such as the Royal Enclosure at Royal Ascot and the Queen's Stand of Epsom Derby. It also remains part of the formal dress of those occupying prominent positions in certain traditional British institutions, such as the Bank of England, certain City stock exchange officials, occasionally at the Law Courts and Lincoln's Inn, judges of the Chancery Division and King's Counsel, boy-choristers of King's College Choir, dressage horseback riders, and servants' or doormen's livery. As part of traditional formal wear, in popular culture the top hat has sometimes been associated with the upper class, and used by satirists and social critics as a symbol of capitalism or the world of business, as with the Monopoly Man or Scrooge McDuck. The top hat also forms part of the traditional dress of Uncle Sam, a symbol of the United States, generally striped in red, white and blue. Furthermore, ever since the famous "Pulling a Rabbit out of a Hat" of Louis Comte in 1814, the top hat remains associated with hat tricks and stage magic costumes.
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